Biographical Note and Selected Bibliography of Prof. Marta Wiszniowska; Jerzy Limon: The Play-Within-The-Play: A Theoretical Perspective; Agnieszka Kołodziejska: Scenic Simultaneity in the Stuart Masque; Ewa Borkowska: "Love's Labour's Found" or the Self (re)Created; Andrzej Wicher: The Motif of the Bear - On the Relationship between William Shakespeare's The Winter's Tale and the Tale of Magic; Mariangela Tempera: "What You Have To Do Is All Visual": Zeffirelli's Opera Film of Verdi's Otello; Edyta Lorek-Jezińska: The Prequel's Subversions and Difference: Lear's Daughters By Elaine Feinstein and Women's Theatre Group; Tadeusz Rachwał: Theatricalities; Tadeusz Stawek: Dogs of History; Jerzy Sobieraj: Spectacles of Horror: Afro-American Poets Speak up; Anna Branach-Kallas: Dialogue as Spectacle: An Analysis of Chorus of Mushrooms by Hiromi Goto In The Light Of Maurice Merleau-Ponty's Philosophical Thought; Małgorzata Hołda: Echoes and Voices; The Spectacle of a Lost Self - Beryl Bainbridge's "Clap Hands, Here Comes Charlie"; Katarzyna Więckowska: The Theatre of the Social Performances of Identity in Jeanette Winterson's Gut Symmetries; Jakub Wójcik: Where Drama and Fiction Converge: Spectacle, Theatre, and The Sublime in William Godwin's Caleb Williams; Dariusz Pestka: The Internal Conflict Between Seriousness and Subversiveness in Oscar Wilde's Fairy Tales and Comedies; Wojciech Jasiakiewicz: "The Illustrated London News" and Poland; Wojciech Lipoński: Scope and Gleeman on the Vistula River and in the Old English Hall